|
Pop |
C&W |
R&B |
Melody |
"pretty" melodies were very important; usually easy to remember; interesting melodic contours | melodies & lyrics were of prime importance | simple melodies, allowing for considerable freedom & spontaneous invention (improvisation) in performance; served as vehicle for the lyrics |
Harmony |
inventive harmonies, but still relatively simple (diatonic) | usually simpler than those of pop music | usually 3 basic chords with occasional variations |
Rhythm |
straight, uncomplicated rhythm; kept in background; tempos were usually moderate to slow | simple & straight-forward; usually more prominent than pop music; little or no subdivision of the beat | hard-driving, prominent rhythm |
Instrumentation |
professional singers accompanied by full orchestra and small chorus | vocalist, vocal backup group, acoustic & electric guitars, pedal steel guitar, piano, violin, and acoustic bass; drums omitted | vocalist, guitars (electric, acoustic, or both), acoustic bass, piano, drums, saxophone, & harmonica |
Form |
symmetrically organized, usually into 4-measure phrases | similar to the Tin Pan Alley pop song | commonly 12-bar blues |
Lyrics |
nonoffensive, noncontroversial, most often dealing with boy-girl love | often love-oriented (esp. unrequited love or jilted lover) | personal sentiments related to love, jobs, "hard knocks," and general philosophies of life |
VocalStyle |
crooner | nasal quality; yodeling | shouter |